Welcome back to Monster Munch, collecting my terrifying thoughts on horror subjects from other genre sites around the web. Check out this week’s roundup below, and come chat with me in the comments or on Twitter:
Welcome to Bite Size! This is a new shorter form feature for movies that deserve notice for their singular strangeness, but lack enough non narcolepsy inducing content to merit even a timestamped long form review. If the highlights of a film can fill a trailer or a Youtube video, but just barely………it will get a Bite Size write up.
The concept of a group of drag queens traveling cross country butched up as a biker gang is a fantastic basic idea, but this 1971 exploitation curio has some serious issues of identity crisis.
The straight grindhouse audience will likely be bored by the light comedy tone with a pronounced lack of the genre staple sex and violence.
Meanwhile, the gay audience will likely be put off by six dinner theater level actors limp wristing their way through various queeny stereotypes. While the T&A is sparse, there are just a smidgen too many leering shots of female walk on characters not to tip the film’s hand. This is clearly a gay themed movie made by people whose closest contact with the queer community or culture was watching Liberace on TV.
To add another layer to this pile of confusion, wrapped in enigma, swaddled in bad ideas, it’s a plotless wonder. This film’s idea of dramatic tension is lots of open air riding shots with the occasion stop for a food fight, a light lunch roadside or some shopping. Inset shots some of self styled Colonial Mustard bear no real connection to anything else. He’s clearly on a different soundstage, and was perhaps shipped in from a different movie as he shouts about dirty longhairs and ogles his secretary.
Perhaps because I watched it in the midst of the world going on lockdown to avoid spreading coronavirus, or perhaps because I have been subjected to a lot of budget mandated claustrophobia in genre fare, I did find some slight joys in this mess of a film. The actors improv gamely through their threadbare scenes, and it was kind of nice to meander away an hour and some change in endless shots of wide open spaces with 6 characters who actually liked each other.
That small pleasure makes the insanity of the nonsensical ending that much worse. Only in the last 5 minutes of the film do the insets and the main plot merge, and it is to provide one of the most out of nowhere downbeat endings I have ever seen. A swerve toward Easy Rider territory, the dumb ugliness of the choice is enough to make you seriously question the intent of everything that proceeded it.
Skip the film, but definitely watch the perfectly made trailer above. A long ago film editor basically read my mind across space and time regarding this film’s good points.
Behold the hysterically overblown line readings, bizarre digressions and a pre-Grizzly Adams Dan Haggerty as a member of a straight biker gang chasing after our protagonists. Short, sweet, and without tainting your braincells with a 85 minute slog to a 5 minute insult.
I have some other new things on the way, as well as a full length review of a much better movie. Until then, stay safe kids, and feel free to steal this glorious GIF to spread a little love in unfortunately interesting times: